Monday, November 21, 2011

Storytime Isn't Just for Kindergarten!



What is Digital Storytelling?

“A digital story is simply a story told using some combination of still and moving digital images, digital voiceover narrative, and digital music. Digital storytelling has empowered people in a variety of settings to tell their personal stories (Diaz, K., Fields, A., 2007)”




*Digital Storytelling brings stories to LIFE.

*Digital storytelling is a great way for teachers to introduce a new concept, explain a complex idea, or summarize a unit.

*Digital storytelling takes the fear out of presentations for students and is a tool for learning across content areas in an engaging way that is relevant in the 21st century.

 
To do good digital projects of any kind, it’s about designing information. Storytelling differs in that it comes from
a personal angle—you have to engage in the data and information personally.
-      Bernajean Porter, the author of DigiTales: The Art of Telling Digital Stories



Elements of a Digital Story:

1.    Overall Purpose of the Story
2.   Narrator’s Point of View
3.   A Dramatic Question (or Questions)
4.   Choice of Content
5.   Clarity of Voice
6.   Pacing of the Narrative
7.   Meaningful Soundtrack
8.   Quality of the Images
9.   Economy of the Story Detail
10. Good Grammar and Language Usage



An AP social studies class at my school utilizes www.goanimate4school.com to create presentations. The students are so engaged that they often do not notice anything else going on around them. They love to answer questions about their topic and explain their presentations. I can’t wait to see them when they are finished! There are some very shy students in the class and digital storytelling gives them an outlet to express themselves without the fear of standard presentations.

Friday, November 18, 2011

Digital Storytelling

Google Images, 2011

Traditional storytelling has been in existence for centuries. They can be told in a variety of formats including myths, legends of all kinds, fairy tales, fables, ghost tales, hero stories, and epic adventures. These stories were told, and retold. Passed down from generations, these stories reflect the knowledge and wisdom of early people. Effective storytelling connects the teller and listener through empathy and emotion; a well told story draws the listener in and keeps them interested until the end. Children and adults love stories. There is just something special about a compelling story you cannot forget; it can inspire you to help others or change your life.  

Google Images, 2011









What is digital storytelling?  It is defined as a short form of digital film making that allows anyone to tell their life story, recount historical events, highlight an event or anything in between.  Digital storytelling is a relatively new term which describes the modern practices by which people tell their life story, usually combining photographs, video, animation, sound, music, text, and often a narrative voice. These multimedia short films are typically 2-3 minutes and can be shared over the internet in a variety of ways such as YouTube, Podcasts, Blogs, and other digital distribution formats.  Digital storytelling allows the individual to quickly convey a message that can be informative, thought provoking, entertaining and interesting. Digital storytelling can give a voice to a struggling reader or writer; it places the technology in the hands of the learner giving them control of the objectives.

Google Images, 2011





Digital Storytelling and the Media Center
Digital storytelling allows the community and the media center to interact externally and internally, connecting people and building relationships. What do users know that others might wish to learn? What do users care about? What and who is in the library? These questions and more can be answered through digital stories; they can explore communities, enhance the social environment in libraries and introduce collections to users, donors and curators. Digital stories can give users a look inside the media center from a distance, introducing them to the resources and services the media center has to offer. Library digital stories may not be the remedy for every challenge facing libraries and media centers but they can become another piece in the fabric of forging new technologies to develop new relationships, new services and new roles for libraries and media centers in the community (Courtney, 2007).


Seven Elements to Digital Storytelling       
 Use these elements as a starting point for creating a digital story. 
  1. Point of View- What is the point of the story?  What is the author’s perspective?
  2. A Dramatic Question - Ask a key question to keep viewers interested. Will the question be answered at the end of the story?
  3. Emotional Content - Serious issues that come alive in a personal and powerful way and connects the story to the audience.
  4. The Gift of Your Voice –Adding narration   is a way to personalize the story to help the audience understand the context.
  5. The Power of the Soundtrack- Add music or other sounds that support and embellish the storyline.
  6. Economy- Using just enough content to tell the story without overloading the viewer.
  7. Pacing- Consider the rhythm of the story and how slowly or quickly it progresses.  (Center for Digital Storytelling, 2011) 
   Effective digital story planning
    Creating a digital story can be time consuming and daunting therefore, careful planning is key when producing a short film.  According to the International Society for Technology in Education the following sequence of steps can help you effectively plan and produce a great story. 
    1. Write an initial script
    2. Plan an accompanying storyboard
    3. Discuss and revise the script before hand
    4. Sequence the images in a video editor such as, iMovie, Illustrator, and Movie Maker
    5. Add the narrative track/voice over
    6. Add transitions and special effects
    7. Add music/soundtrack
    Resources
    Follow the links below to explore digital resources such as information, images, music and more to help you create your own digital story.
    http://creativecommons.org                                                                                                                                              http://www.animoto.com
    REFERENCES
    Bull, G., & Kajder, S. (2004, November). Digital Storytelling. Retrieved November 16, 2011, from International Society for Technology in Education website: http://www.digitalstoryteller.org/docs/DigitalStorytelling.pdf  
    Courtney, N. (Ed.). (2007). Library 2.0 and Beyond. Westport , CT: Libraries Unlimited.
    Digital Storytelling. (2011, November 12). Retrieved November 15, 2011, from Wikipedia website: http://en.wikipedia.org/wiki/Digital_storytelling
     
    Seven Elements of Digital Storytelling. (2011, January). Retrieved November 16, 2011, from University of Houston website: http://digitalstorytelling.coe.uh.edu/7elements.html
     
         

Monday, November 14, 2011

Digital Storytelling

New Ways to Tell Stories of Old

If you asked me a few weeks ago about storytelling, I would tell you “I LOVE storytelling. It is one of the most rewarding things that I do in PreK and what has drawn me to the field of library media."  Storytelling to me is engaging the listener using props, costumes, musical instruments, singing, and any type of interaction with the audience. It is also telling stories in unconventional ways, such as drawing a picture, folding or cutting paper to create something that will captivate and surprise the audience. 

Storytelling has been around for centuries.  It is not merely reciting events that have happened, but adding emotional content, humor and suspense.  It is an ongoing process of give and take between storyteller and listener.  The storyteller engages the audience, while the audience responds empathetically with nods, laughter or tears (Courtney, 2007)     

If you asked me about digital storytelling a few weeks ago, I would have wondered to myself, “How do you tell a story with a computer?” I watch movies, but they are not interactive.  Digital storytelling is much more than simply creating a movie.  It is used to inform others about a subject area or share an experience in a way that invokes emotion and empathy from the listener.  With a computer, microphone and some video editing software, you and your students are on your way to becoming documentary film producers.  According to Joe Lambert, one of the founders of the Center for Digital Storytelling, there are seven elements to digital storytelling (Courtney, 2007):

Point (of view) – is the author’s overall goal for telling their story and their perspective. 
Dramatic Question – is the device to keep the listener engaged from beginning to end. It may be only suggested or hinted until the story reaches a dramatic conclusion.
Emotional Content – is what keeps the content from being just a report.  This forms the connection between the storyteller and listener. 
Gift of Your Voice – helps the listener form a “picture” of the storyteller, thus making the story more meaningful.
Power of the Soundtrack – music is used strategically throughout the story to enhance emotion and create a mood.
Economy – Less is more.  Fewer words are used, but much communication is done using pictures and sound.  Presentation is kept short or within a 3-5 minute range. 
Pacing – narration, pictures and music are coordinated using volume, transitions, and tempo to create the greatest impact on the viewer.

Digital Storytelling in a Digital Story



Copyright

I was concerned about using materials online without breaking any copyright laws. Digital storytelling is ideal in that it is short and if you are using your media for educational purposes and not publishing copyrighted material on the internet, it falls under Educational Fair Use.  Otherwise, you do need to obtain permission before you publish copyrighted material in your digital story.  Below you will find more helpful information regarding copyright and digital storytelling:
  • You can use anything that is in the Public Domain and use it anywhere, including making it available via the Internet.
  • You can prepare and give a presentation that displays photographs, even if permission was not obtained to use the photographs, as long as the presentation is given in a traditional classroom, a remote class location, or for distance instruction. You can also broadcast this presentation to students at their homes or offices if they are enrolled in your course and viewing the presentation for purposes of criticism, comment, teaching or instruction, scholarship or research.
  • You can copy your digital story and broadcast it to a closed course or the school’s intranet even if it contains copyrighted music and photos. The key is to restrict access to those who are viewing it for educational purposes.
For more information on copyright, go to the following website: http://digitalstorytelling.coe.uh.edu/copyright.html#01

Media specialists and teachers now have tools to engage children in very creative and appealing ways to demonstrate their aptitudes and knowledge in different areas.  Storytelling has taken a new turn and in the hands of our students can help us to build a community of learners.


References:

(2011). Copyright and Digital Storytelling. Retrieved     from http://digitalstorytelling.coe.uh.edu/copyright.html#01

Courtney, Nancy (2007). Library and Beyond. Libraries Unlimited: Connecticut

Sunday, November 13, 2011












Techno-what?                 
Technology skills of faculty members vary greatly. Some struggle with email and others utilize IPads, blogs, Google Docs, and other technology in the classroom. At one time, I considered myself pretty techno savvy…I soon discovered otherwise. I still consider my technology skills to be pretty sharp in certain circles, but in many circles I am very naïve. According to Jurkowski, “Technology has been tightly linked to information literacy, and a great deal of effort must be spent keeping up with changes in our profession.” Keeping up with the changes can prove to be very difficult. It wasn’t long ago that the Phillips Cassette Player was considered to be high-tech gadgetry in the classroom. The overhead projector that was in demand when I was a student is not the same overhead projector that is in demand in classrooms today. At my school we call the LCD projector mounted to the ceiling an overhead projector and it can do a LOT more than its predecessor. We now have many more options and ways to utilize technology in the classroom. It is amazing at the advances in technology that occur each generation…year…month…day. “The library of today looks far different than from 20 years ago, and it’ll surely look quite different in another 20 years (Jurkowski, 2010).”



Staff development is delivered through monthly ‘Before School Specials,’ grade level meetings, and staff development days. An obstacle that constantly arises during these staff development meetings is simply lack of time. There is too much content to deliver and not enough time to cover everything. Other obstacles include lack of attendance (specifically Before School Specials) and lack of participation. I have found it to be true that teacher’s make the worst students! An obstacle of grade level/subject area meetings in the middle and high schools is the fact that many teachers instruct multiple grade levels and subject areas and they do not share planning times with other teachers within their grade/subject area. I found myself in this position and I was never able to attend any of these meetings and found that teachers were too busy to pass along any important information. Very frustrating!

The obstacles are numerous, but so are the solutions. Our media specialist is not involved with training or staff development but we do have a technology specialist that provides training during grade level meetings as well as offering credit classes in the evenings that cover many of the technologies that are available through the Cobb County School District. Our technology expert is a former teacher and she does a fantastic job (along with the technology services department). As a media specialist, I will strive to assist teachers with technology in several ways. I plan to conduct small and large group professional development sessions, one-on-one assistance, and I will provide a wiki that is packed with useful information. My wiki will contain simple but detailed instructions that may be printed for easy access, podcasts, video tutorials, troubleshooting, and tech tips. Teachers will be able to add to the wiki. The most important factor is ADVERTISING! If teachers do not know the information is available…they will not be able to utilize it and the wiki would be useless. Cobb County offers a wiki for media specialists that is very informative: http://cobbk12-org.campuspack.net/Groups/CI_Library_Media_Education_-_Spinks/Cobb_Library_Media_Wiki/Instruction_Lessons-Middle


Staff Development Do’s J
Staff Development Don’ts L
Wiki’s
Blogs
Reference Guides
Publicize Success
Small Groups
Utilize in-school experts
Keep it Short (teachers have a lot to do!)
Do it Often
Make it Relevant
Assess Yourself & the Audience
Analyze the Learner
Have an Objective
Provide Incentives
Utilize Gu
ided Practice
Evaluate
Enthusiasm!!!
Be Available After the In-Service
Advertise
Be familiar with the technology
Large Groups (avoid when possible)
Mandatory Attendance





Jurkowski, O. (2010). Technology and the School Library. Scarecrow Press:
            Plymouth, PY, UK






Wednesday, November 9, 2011

Technology for the Teachers


Talking Tech

This blog has allowed me opportunity to reflect on my daily responsibilities as the digital media specialist for a high school. I serve a new role and have the joy and burden of making it my own. We serve over 1200 students, 88 certified teachers, and about 40 support staff who work with students and teachers. As the digital media specialist, I teach and train staff, and sometimes, students, on the use of available technology. We are fortunate to have support at all levels recognizing the value and need for infusing technology into instruction/learning as we design opportunities for students and teachers.

 

What We Have Available

At present our classrooms have Elmos (digital document cameras), SmartSlates, ceiling mounted projectors with screens, teacher laptops, and student desktops. In addition, we have several labs that have the latest set ups, Kindles in the media center, 30 iPods, and over 425 iPads. The iPads and iPods just arrived this year. Technology training accounts for about 60-70% of my day. The rest is devoted to e2020 (online course management), Angel (online learning management system, similar to Blackboard), and Thinkgate (online student assessment system). You see, I swim in technology all day, and I enjoy most every minute. I would not say that we have unlimited resources by any means, but we are in a good place. We are moving toward a one-to-one roll out for student iPads in the near future.

Present Levels of Engagement

You may be thinking, “What do they do with all of those things, especially the iPads and iPods?” Well honestly some teachers use them more than others. My goal is to ease teachers into a stronger comfort zone so that they want to use them more. I don’t want anyone to ever feel forced to use something that will enhance student learning. I hope they want to use technology more and more as the year progresses. Some teachers design lessons that use a lot of technology, and with minimal coaxing they now often include their students in conversations about lesson design. I propose this as a way to take some of the burden off of the teachers. Students can toss out creative ideas for covering those Georgia Performance Standards when asked. They will even spend their own time reviewing apps for the iPads and iPods if they think they will get to use technology in class.
We also have a handful of reluctant teachers, and I have to emphasize that they are not against using technology. They just aren’t as comfortable with it as others.  I understand because I am more comfortable with the things I use daily. I seldom pick up the DVD remote at home, and when I do I usually end up handing it over to my husband. Now, the Dish remote is a different story. I can work it in the dark, especially the DVR features. I don’t handle reluctant teachers with kid gloves, but I do give them extra attention in terms of training, and I try to offer extra assistance or additional small group sessions for them. I have found that the one-on-one may take an abundance of time in the beginning, but it is worth it in the end.

Training Plan

I have learned that providing snacks makes all training sessions a little more bearable, so I try to keep plenty on hand. We are fortunate that our school provides substitutes for half and full day training sessions throughout the year. I offer short training sessions during long lunch breaks (lunch periods are 60 minutes) and allow staff to bring their lunch to the training area in the media center or computer lab. If I had to make a list of do’s and don’ts I am sure that it would change quite a bit by the end of the school year, but here is what I have so far:
Do…provide snacks, keep it as short as possible (value others’ time), focus on small steps, gauge the level of expertise/comfort of individuals before trainings, offer varied levels of instruction when possible, offer follow-up sessions, use experts in the building to demonstrate and build buy-in, use students as examples, use students to demonstrate, provide cheat sheets for those who need written directions, do provide electronic cheat sheets, ask teachers what they need/still need, schedule opportunities for teachers to talk about what works, schedule opportunities for teachers to share/follow-up a few weeks after trainings to talk about how they are using the technology, bring in outside experts when possible (fresh perspectives are important).
Don’t…forget about the training the minute it is over, assume they understand just because they are quiet, expect everyone to understand with the same ease, forget that that they need time to practice/explore, forget that feedback can improve your next training session, recreate the wheel…use what is already available (online tutorials, YouTube, etc.).

Extra Care

Sometimes you just sense a need. I have made it my personal goal to help anyone who asks and to seek out those who do not ask but may be in need of tech tips/training. During a training session I slip those who seem a bit frustrated or less adept at technology a note offering personal assistance, and when I drop by to help, I always leave a snack and a personal note on their desks or in their mailboxes. If teachers think you genuinely care, you will build relationships that will go a long way in your pursuit to engage teachers and students in lessons that have strong technology components.
What We Have Accomplished This Year
·         Elmo Training
·         SmartSlate Training
·         SamrtBoard Training
·         iPad & iPod Training by Department
·         Apps Selection Training
·         App Sharing Time
·         Webpage Design
·         Tech Tip of the Week (Glogster, Animoto, Doodle, Weebly, Wikis, MovieMaker, Office 2010, Mail Merge, etc.)
I also keep attendance records so that teachers can earn PLU’s for participation. They can earn additional PLU’s for evidence of implementation.

Where Are We Going From Here

I have realized that I can’t train everyone on everything, so we are working with the Freshmen Student Council (as sponsors) to renovate an empty room in the media center and creating a place for students to teach other students and teachers alike. It is the Genius Bar/Geek Squad approach. We plan to open in January during all three long lunch periods. Students and teachers will be able to use laptops, iPads, and iPods, as well as their own devices to explore and share tips and ideas with each other.
Another idea that I am working on is partner training. I hope I have some volunteers offer to work together to share learning their technology learning with each other. Then, I want to have a session on an early release day with about ten stations set up for teachers to share with other teachers in 5 minute speed rounds. I just want them to see in a quick way that others are using technology. I may even video them with the iPads and create a collection of short presentations that I can have available for them on my new webpage.  I may extend my idea/plan to include students. I’m still working out the details and talking it over with colleagues and students.
If I had to choose just a handful of important words to sum up the key points to consider in regard to technology training they would probably be:
Wordle: tech training

I am including a few links to some great reading to add to my chat.

Sunday, November 6, 2011

Lights, Camera, ACTION!

Lights, Camera, ACTION!

Stacie Brownell

“One of my favorite activities as a media specialist is producing a morning TV news show,” states Jolaine Sims, media specialist at Buchanan Elementary School located in Buchanan, Georgia. Depending on your point of view, one of the best or worst parts of any media specialist’s day is the time spent producing a daily school news show. This time can be an engaging, fun-filled hour overflowing with creativity and hands-on learning activities for your students, or you can view it as a lost hour, a frustrating time when you could be doing other more important things to make your media center run smoothly (Stephens, Franklin, 2007). Many times, those that see producing a school TV news program as a horrible part of the day, simply do not know enough about television production to feel comfortable with it. For those who are new to the profession and who may have had very little training in video production, the school news show can be a scary time. Trying to teach students how to use all the technology involved in the production process while you yourself are just learning how it works is intimidating to say the least. I can also be embarrassing because your learning curve involves a daily public performance viewed by the whole school. No one else on your campus is held up for such scrutiny (Stephens, Franklin, 2007). Video production and TV news programs have become a standard part of the school setting and curricula across the nation. State of the art production facilities are built into new schools and older schools are retrofitting spaces to accommodate the necessary equipment. While some schools have elaborate equipment and production areas and use special effects and fancy graphics, others may simply use a camera mounted on a tripod that is focused on an improvised desk. The success of most television production programs rests squarely on the instructor. It is their vision, their willingness to learn the equipment and spend experimental time creating projects and then teaching them to students that makes a good program work. While some schools make different arrangements, in many schools that instructor is you, the media specialist (Stephens, Franklin, 2007).

DNN, or Daniell News Network, delivers the morning announcements daily via closed circuit television. In addition to the morning announcements, CNN students news is broadcast on a daily basis. Occasionally other copyright cleared videos are shown school wide, such as: videos that are shown by all subject area teachers in a grade level, Book Fair videos, etc. The closed circuit system is an old system that contains two channels. The system is controlled by the media center staff and teachers are able to request use of the system. Teachers may request that copyright cleared videos are played or that a video from United Streaming is aired. Every teacher has access to United Streaming so the media center rarely has any requests to play from United Streaming/Discovery.

DNN is only in its second year of production and the morning announcements are on the low end of the scale. The morning announcements are broadcast live daily and are the responsibility of the technology teacher and the media specialist. The announcements begin with the Pledge of Allegiance and contain announcements, birthdays, lunch menu and a weekly riddle. The news team contains 5 teams that rotate duties weekly. All members of the team submit an application and are chosen by the technology teacher and media specialist. Technology problems and lack of commitment are the most frequent problems faced by the daily broadcast.   


School TV news resources:

School Video News, E-magazine, http://www.school-video-news.com/


Georgia Educational Technology Consortium http://gaetc-ejournal.org/

GPB Resources

Check out the Georgia Public Broadcasting resources! They have links of examples and how-to’s for Edublogs, Podcasts, and Wikis. This website contains a plethora of resources for educators.


 
Georgia Public Broadcasting (2011). GPB Education. Retrieved from the GPB website:

Sims, J., (n.d.), Upgrading a School TV News Show. Retrieved from: http://gaetc- 

Stephens, C., Franklin, P., (2007). Library 101: A Handbook  for the School Library
 Media Specialist. Westpoint, CT: Libraries Unlimited





Wednesday, November 2, 2011

Video Distribution Systems and GPB Resources

Video Distribution Systems

When I hear someone mention video distribution system or closed circuit television in our school, I think about morning announcements or special events where teachers may tune their televisions to an auxiliary channel to view a special episode of Charlie Brown or the Polar Express. (I have little experience with closed circuit television.) McGraw-Hill Science and Technology Encyclopedia defines closed circuit television as the following:
Television transmitted to a particular audience at specific locations via coaxial cables, telephone wires, fiber-optic strands, microwave radio systems, or communications satellites, as compared to open-circuit (broadcast) television intended for the general public.

At Whitesville Road Elementary, we use a video distribution system on a daily basis to hear our morning announcements.  We say the Pledge of Allegiance, hear a weather report and lunch menu for the day.  Sometimes we might see a special guest, a short skit, or a classroom performance.  Occasionally, a program is broadcasted for a grade level on our video distribution system.  In this case, a teacher fills out the Video Request Form stating the name of the program and it’s correlation to the curriculum.  The form is sent to an administrator to be reviewed and signed.  Currently, our system will broadcast VHS, DVD and cable programs and is operated entirely by our media specialist.   


Georgia Public Broadcasting (GPB) Resources
GPB Education is a site that offers locally produced media content for Georgia classrooms. What makes this site so attractive is that everything found on the site is already correlated to the Georgia Performance Standards and best of all….it is FREE!  It contains a plethora of resources aimed at teachers, parents and students.  It even offers training and professional development using PBS Teacher Line.

   


There are a series of tabs located across the top of the screen.  Information and links are organized under these tabs.  For example, you may browse under the “Learn” tab to find resources sorted by age category, or specifically for parents or teachers.  However, you might find the same links on the “Programs” tab or the “Science Central” tab under other categories.  There seems to be a lot of overlap, however, there is so much information to be found including podcasts, videos, online games, online publications and lesson plans.  At the bottom of the page are links to PBS sites, which in turn have many resources including full-length videos, online games and archived webinars.

On the home page of GPB Education, you will find the login screen for Digital Education.  If you are not familiar with GPB Digital Education and its partnership with Discovery Education, you might remember it as United Streaming.  To access GPB Digital Education, you must have a user account.  If you don’t already have an account, you should first obtain your school’s unique passcode in order to set up your personal account.

Once you are logged into Discovery Education, searching for a subject is easy.  You simply key in a topic.  You have the option of performing an advanced search by selecting a range of grades or a media type, or you can search by a specific curriculum standard.  Once you obtain results, you may continue to narrow your results with other selections on the left side column. 

Our media specialist, Calvin Bryan, stated that at our school, Discovery Education is typically used on an individual basis in classrooms. My personal experience is limited to quick searches for videos on special student interest topics. Earlier this year, we discovered and captured a mantis insect on our playground.  I quickly searched and found a short clip on the life cycle and habits of a mantis so we could determine if it would be a suitable (temporary) class pet.  After learning about its diet of live insects, we opted to set the mantis free.    

After my research on GPB Education, I now realize we have a library at our fingertips.  We have access to quality educational media resources that are already correlated with standards and it are free to those who search.